





PHILOSOPHY
Eiroa Architect’s philosophy is to constantly
question assumed cultural structures with conceptual
designs that focus on recognizing, and criticizing,
the most stable spatial
organizations. Through processes of recognition/critique/displacement, projects develop
relationship between conceptual approach, complex
formal investigations, the latency involved in the
specificity of a place, and the media based
information technologies that displace the subject from
spatial experience. By working
and displacing spatial,
representational,
cognitive and information
structures, these projects enable consistent
formal difference, and challenge the origin of types
through topology.
This office's projects
aim to propose a new
structuralist avant-garde revisiting contemporary
poststructuralist theories.
Displacement
strategies are informed by multiple definitions of topology:
topology as formal bi-continuous differentiation,
topology as
relative displacement and
the topo-logos
or the logic of the place. By these means these
projects intend to develop an advancement in the
critique of stable/homogenous
organizational structures, which
constitute the fundamentals
of modern thinking, and
also a critique of relative instability/differentiation that
such definitions of topology present. The
construction of a continuity between referential
structures and
topological displacement
is intended to suspend the current
historical dialectical pendulum
movement that has been
dominating architecture since the establishment of
the Renaissance and
the Baroque.
Challenging
the point of departure of the
matrices and systems where architecture processes originate, enables
the firm's designs to develop a consistent but
flexible modus-operandi that resolves with
conceptual clarity the relationship between
professional demands and the recognition of the
qualities of a place, confronting
stylistic predetermination with a sophisticated
artistic quality. The strategies that have been
dominating architecture, such as modularity,
repetition, or homogeneity, are displaced with formal solutions that
challenge current avant-gardes but also recognize
previous historical attempts.
This delivers
unique spatial and formal solutions that recognize an autonomy
based on processes that
constitute form, and an innovative aesthetic
language that is striated
by media-based
information technology that
acknowledges the subject and his psycho-somatic
experience.
These methods are also expanded into
the architecture of the landscape with
operations that work with
environmental forces as a means of challenging infrastructure
and other stable structures that regulate the
landscape in order to develop
alternative dynamic architecture
systems; a distinct approach
towards a deeper ethics concerning ecology.
Through these strategies this
studio aims to develop a
critical body of work in relation to the
contemporary state of expansion
of architecture, and the
role of media-interfaces that have been prescribing recent
avant-gardes.